The second season finally got the green light but there would be noticeable changes, and it’s those changes that tend to divide fans.
American Fred Freiberger was brought in as producer to replace Sylvia Anderson (her marriage to Gerry Anderson having come to an end by this point). Freiberger wanted a more action-oriented feel with more emphasis on humour and on the emotions of the character in place of what he felt was the excessively cosmic and philosophical preoccupations of the first season. His new approach was not welcomed by either the cast or the crew. Martin Landau was particularly unhappy with the scripts for Year 2.
The second season definitely saw a move towards more melodramatic plots. While some episodes are very entertaining in general the second season seems to have fewer genuinely interesting science fictional ideas than the first.
To replace Barry Morse as the show’s resident science expert a new character was introduced, Maya, played by Catherine Schell. Maya is a shape-shifting alien, and her presence in the series pushed the series into fantasy territory and away from the at least vaguely plausible science fiction that had characterised all of Anderson’s earlier series. The necessity to make use of Maya’s shape-shifting abilities also weakens some of the stories. An alien with the ability to take the form of any living creature provided a temptation to writers to use her as a magical means of getting out of plot difficulties (a bit like the over-use of the dreaded sonic screwdriver in some season of Doctor Who).
The departure of Sylvia Anderson also caused difficulties. Her contribution towards the success of the couple’s earlier series has often been underestimated and after the divorce Gerry Anderson seemed to lose some of his creative spark. He was great with ideas and he was very good on the business and organisational side but not so comfortable with people. Sylvia was great with people and could be counted on to smooth over any personnel problems that arose. That’s why they were a great team. They were equally essential to the success of their programs.
The absence of Sylvia Anderson in Year 2 may also have explained why some opportunities were missed. Maya was potentially a fascinating character - the last survivor of her race now living among beings who were friendly and welcoming but who were, to her, aliens. Star Trek had made the most of Spock’s alienness but at least Spock’s species still existed. Maya had nobody left. This could have led to all sorts of emotional dramas and turmoils and misunderstandings. Instead of which Maya is treated as just another member of the crew, who just happens to have super-powers. One can’t help suspecting that Sylvia Anderson would have seen the potential there and pushed the writers to exploit it.
The Immunity Syndrome is an episode that sums up the problems that afflict this second season. It starts with a very good idea. The crew of Moonbase Alpha find a planet that seems absolutely perfect as a new and permanent home for them. It seems to have everything they could possibly need. And then, for no apparent reason, the planet itself suddenly turns on them. This episode offers a reasonably effective blend of excitement and suspense. It’s all going so well and then we get to the ending which is uninspired and sentimental and generally disappointing.
There’s almost enough good in this episode to compensate for the silly central idea but as so often in season two the script, potentially very good, doesn’t quite come together and the ending is a bit contrived.
When you get stories like this, that could have been excellent television but don’t quite make it because the script needed a bit more work, you start to suspect that maybe the producer isn’t getting the best out of his writers. Given that not everyone was happy with the job Fred Freiberger was doing as producer it’s tempting to conclude that he really wasn’t the right man for the job.
With all its faults the second season of Space: 1999 is not a complete loss. It has impressive visuals and it has plenty of action. Unfortunately it’s nowhere near up to the standards of the first season and it has much more of a conventional Monster of the Week kind of feel. Lew Grade’s fatal obsession with making movies doomed the show and the second season would be the last.
I think the two-parter is pretty good - but one or two of the other episodes are genuinely dire. Much of the humour is awful.ReplyDelete
I'm not a fan of Freiburger as a producer, but without him, there wouldn't have been a second season. Grade wanted to cancel after the first season - in fact, I think he may have made the decision, it's not entirely clear.
Freiburger was the one who persuaded him that he could make a second season, with a reduced budget and a much-reduced filming schedule: they had four months less than the first season (11 down from 15, although that includes the pilot)
I was one of it's biggest fans. Maybe it's to do with it being 42 years later, but season 2 was utter rubbish. It may have been better to finish it after one series leaving viewers wishing there had been a second like Thunderbirds. After all Space 1999 was supposed to be UFO season 2.ReplyDelete
I only caught Space: 1999 in syndication (and only a couple-three episodes) and found it rather dark and austere for a "space show;" I don't remember there being a bunch of aliens or explorations of different planets. On the other hand, I'm sure I was watching the second season, as I definitely remember the shapechanging crew member.ReplyDelete