Sunday, 12 September 2021
Callan: This Man Alone
James Mitchell had already written several novels (including spy thrillers under the name James Munro) and had written scripts for several of the best TV series of the 60s (The Avengers, The Troubleshooters) when he wrote the TV play A Magnum for Schneider for the very prestigious Armchair Theatre anthology series produced by Britain’s ABC Television. Even before it went to air ABC felt it had the potential to become a regular series. A Magnum for Schneider introduced reluctant British government assassin David Callan to the world.
One thing that comes through pretty clearly is that if you want to make great television you have to set your sights high. Mitchell certainly set his sights high with Callan right from the start. Once it becomes evident that you’re aiming to make an intelligent provocative television series you’ll have the best writers, directors and actors falling over themselves to work on the show and that makes things a whole lot easier.
An interesting point which comes through in this documentary is the way this series turned setbacks to its advantages. Significant cast changes had to be made at various times. Wth new characters coming into the series (notably Cross but also several new Hunters) the dynamics between Callan and his superior change, and the dynamics between Callan and Cross are quite different from the dynamics between Callan and Toby Meres. This is one of the things that kept the series consistently interesting for the whole of its four-season run.
Callan produced numerous spin-offs - a series of original novels and short stories by James Mitchell, a movie in 1974 and a TV movie (Wet Job) in 1981. The universal opinion among those interviewed for the documentary (an opinion which I share) is that the 1974 movie doesn’t quite work. By necessity it had have a bit more action, it had to have a slightly more expansive look and inevitably it lost some of the claustrophobic feel. As a result it’s not quite Callan. It’s by no means a bad movie but it doesn’t have the flavour of the TV series.
To be honest the only original Callan novel I’ve read, Russian Roulette, isn’t quite authentic Callan either. Mitchell was obviously trying to do something slightly different with the novels, which is fair enough, but I really think that the whole Callan concept worked better on TV. Which is logical. James Mitchell created the idea specifically for television, to take advantage of the things that television does particularly well.
If you’re a Callan aficionado then you’ll want to see Callan: This Man Alone. Network have released it in a three-disc pack with new transfers of several of the black-and-white episodes.
You might also want to check out my reviews of Callan: The Monochrome Years, the original version of A Magnum for Schneider, the Richmond File season four story arc and the Callan movie.